SKU: 83765087630
elektrofahrrad 3 sitzer

elektrofahrrad 3 sitzer 3-Rad-Elektro-Fatbike – Treefat 2 – Scoot Motion

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Description

elektrofahrrad 3 sitzer 3-Rad-Elektro-Fatbike – Treefat 2 – Scoot MotionDas Treefat 2 ist ein elektrisches 3 Rad Fatbike Dreirad, das fr Benutzer entwickelt wurde, die Leistung, Komfort und Sicherheit im Alltag miteinander verbinden mchten. Egal, ob Sie in der Stadt, auf Landstraen, im Sand oder sogar im Schnee fahren, dieses elektrische 3 Rad Fahrrad bietet Ihnen beispiellose Stabilitt und echte Bewegungsfreiheit. Das Treefat 2 wurde sowohl fr Privatpersonen als auch fr Geschftsleute entwickelt und passt sich allen

Das Treefat 2 ist ein elektrisches 3-Rad-Fatbike-Dreirad, das für Benutzer entwickelt wurde, die Leistung, Komfort und Sicherheit im Alltag miteinander verbinden möchten. Egal, ob Sie in der Stadt, auf Landstraßen, im Sand oder sogar im Schnee fahren, dieses elektrische 3-Rad-Fahrrad bietet Ihnen beispiellose Stabilität und echte Bewegungsfreiheit.

Das Treefat 2 wurde sowohl für Privatpersonen als auch für Geschäftsleute entwickelt und passt sich allen Anwendungen an: alltägliche Fahrten, Familienausflüge, Warentransport oder Nutzfahrten.


Ein Elektro-Dreirad für jedes Gelände

Dank seiner großen Reifen, seiner drei verstärkten Räder und seines bürstenlosen 70Nm Motors, erhältlich in 750W, meistert das Treefat 2 jedes Gelände mit Souveränität. Die Leistung wird entsprechend den geltenden Vorschriften des jeweiligen Landes gewählt, um eine perfekte Konformität im öffentlichen Straßenverkehr zu gewährleisten.

Es erklimmt Hügel, absorbiert Unebenheiten im Gelände und bleibt auch bei geringer Geschwindigkeit oder maximaler Beladung perfekt stabil.

Seine mechanische Scheibenbremse garantiert optimale Sicherheit unter allen Bedingungen. Die 7-Gang-Schaltung ermöglicht die Anpassung des Kraftaufwands an das Gelände für ein flüssiges und angenehmes Fahrgefühl.


Bis zu 48 km Reichweite mit herausnehmbarem Akku

Das Treefat 2 ist mit einer 48V 18Ah Lithiumbatterie ausgestattet, die eine Reichweite von bis zu 48 km (30 Meilen) mit einer einzigen Ladung bietet. Herausnehmbar lässt sie sich zum Aufladen zu Hause oder im Büro leicht entnehmen.

Sein integriertes LCD-Display zeigt Ihnen in Echtzeit Geschwindigkeit, Batteriestand, Kilometerstand und Unterstützungsmodus an, um jederzeit die Kontrolle zu behalten.


Komfort und Praktikabilität im Alltag

Der breite und gepolsterte Sattel sorgt für exzellenten Komfort, selbst bei längeren Fahrten. Die Fahrposition ist natürlich und darauf ausgelegt, Ermüdung zu minimieren. Mit einem Gesamtgewicht von 46 kg und einer Tragfähigkeit von bis zu 150 kg ist dieses Elektro-Dreirad bereit für alle Herausforderungen.


Maßgeschneiderte Konfiguration: Korb oder Beifahrersitz

Beim Kauf des Treefat 2 wählen Sie die Ausstattung, die am besten zu Ihren Bedürfnissen passt:

  • Großer Heckkorb: ideal zum Transport von Paketen, Taschen oder Ausrüstung.

  • Beifahrersitz: für einen Erwachsenen oder zwei Kinder sicher, mit einer maximalen Belastung von 50 kg.

Eines dieser beiden Ausstattungsmerkmale ist nach Wahl inbegriffen in Ihrem Dreirad, ohne Aufpreis.


Warum das Treefat 2 wählen?

  • Echtes 3-Rad-Elektrofahrrad für Erwachsene, zuverlässig und stabil

  • Entwickelt für schwieriges Gelände und tägliche Fahrten

  • Ideal für Familien, Berufstätige, Senioren oder Radfahrer, die Komfort suchen

  • Reichweite, Leistung und Anpassungsfähigkeit in einem Fahrzeug vereint

Lieferung & Garantie

  • Lieferung als Bausatz in einer verstärkten Verpackung, Akku und Ladegerät inklusive.

  • Fahrzeuggarantie: 24 Monate | Akku-Garantie: 6 Monate.

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SKU: 83765087630

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Trendy Chic
Belleville, US
★★★★★ 5
Not what I was expecting, but I liked it.
Format: Paperback
My first book by Emma Slate. Wonderful writing style, I wanna read some more MC books.
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Reviewed in the United States on September 8, 2024
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Matthew
Charlottesville, US
★★★★★ 1
Poor read
Format: Paperback
Not worth the hype. Was poorly written and had to put it down and not finish it.
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Reviewed in the United States on May 20, 2025
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T
West Palm Beach, US
★★★★★ 4
Great story
Format: Paperback
I’m not an avid reader, but this was finished in a few days. Such a good book!
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Reviewed in the United States on June 14, 2025
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AMD
Birmingham, US
★★★★★ 3
Won’t be buying book two.
Format: Paperback
Entertaining enough but poorly written. Lots of typos. Won’t be buying book two.
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Reviewed in the United States on July 8, 2025
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Dr.C.J.Singh.Wallia
Fort Morgan, US
★★★★★ 5
An Excellent Primer on Novel-Writing
Format: Paperback
WIRED FOR STORY By Lisa Cron Reviewed by C J Singh (Berkeley, California) Excellent Primer on Novel-Writing In Berkeley, California, we happily have access to four independent bookstores that display literary novels and creative-writing craft books. Browsing, I picked up two books by Lisa Cron on using "Brain Science" for writing fiction. The jacket quote by Caroline Leavitt rivetted my attention: "I'd never consider writing a novel without Lisa's input, and neither should you." As a longtime fan of Leavitt's novels "Is This Tomorrow," " Pictures of You, " "Girls in Trouble," I looked up Stanford Continuing Education where Leavitt regularly teaches online courses. As a Stanford Alumnus (Psychology PhD), I've taken several on-campus and online workshops on fiction-writing. While still at the bookstore, I promptly signed up for Leavitt's soon-to-begin course that uses two coaching books: Cron's Wired For Story and John Truby's The Anatomy of Story. I'm familiar with Truby's book and its nine excellent exercises. See my detailed review on amazon: https://www.amazon.com/review/R29NU7U6LAHGBV/ Here's my review of Lisa Cron's "Wired For Story" "WIRED FOR STORY' presents a unique, distinguishing feature among fiction-writing primers: throughout its text, the author includes excerpts from the published works of leading contemporary brain-scientists that validate the principles of narrative craft. Cron explains the principles of narrative craft in twelve well-organized chapters that focus on theme, the protagonist's issue, characters' bios, points of view, rising conflicts, subplots, suspense, reveals, and the arc from setup to payoff. At the beginning of each chapter, she presents sentences in italics that illuminate the cognitive-science underpinnings of narrative craft. Examples follow. "Cognitive Secret: When the brain focuses its full attention on something, it filters out all unnecessary information. Story Secret: To hold the brain's attention, everything in a story must be there on a need-to-know basis" (page 23). . "Cognitive Secret: Everything we do is goal directed and our biggest goal is figuring out everyone else's agenda, the better to figure out our own. Story Secret: A protagonist without a clear goal has nothing to figure out and nowhere to go" (p 65) . "Cognitive Secret: It takes long-term, conscious effort to hone a skill before the brain assigns it to the cognitive unconscious. "Story Secret: There's no writing; there's only rewriting" (p 219). Also remarkable are sentences in bold that challenge advice offered in some writing-craft workshops and books. Examples follow. "Myth: Write What You Know. "Reality: Write What You Know EMOTIONALLY" (p 62). . "Myth: Sensory Details Bring a Story to Life." "Reality: Unless They Convey Necessary Information, Sensory Details Clog a Story's Arteries" (p 118). . "Myth: `Show, Don't Tell' Is Literal - Don't Tell Me John Is Sad, Show Him Crying. "Reality: `Show, Don't Tell Is Figurative - Don't Tell Me John Is Sad, Show Me WHY He's Sad" (p 152). Has the author introduced a Myth of her own? I am afraid so. On page 57, "No matter whose point of view you're writing in, you may be in only one head per scene." In my opinion, the Reality is: No matter whose point of view you're writing in, you may be in only one head per PARAGRAPH. This is the new reality -- virtually every fiction-readers' perception has been reshaped by watching films and TV dramas that imply the camera engaged in frequent head-hopping in a scene. At the end of each chapter, Cron presents a concise series of checkpoints to remind the readers while they develop their work-in-progress. Throughout, she includes many examples from literary works and films. Literary works like Gabriel Marquez's "Love in the Time of Cholera," Margaret Mitchell's "Gone with the Wind," and Caroline Leavitt's "Girls in Trouble." Films like "It's a Wonderful Life," "Vertigo," and "American Graffiti." An inspiring citation for writers: " `Recent breakthroughs in neuroscience reveal that our brain is hardwired to respond to story.... It turns that a powerful story can have a hand in rewiring the reader's brain -- helping empathy, for instance - `which is why writers are, and always have been among the most powerful people in the world'. " (On p 239 of Endnotes is the specific citation of three scientists' 2009 article "On Being Moved by Art: How Reading Fiction Transforms the Self" in the Creativity Research Journal vol. 21, no.1 ) WIRED FOR STORY fully earns its title with its numerous citations of recent contributions of neuroscience that validate narrative craft. Examples of cited works included are: V. S. Ramachandran's "The Tell-Tale Brain: A Neuroscientist's Quest for What Makes Us Human"; Michael Gazzaniga's "Human: The Science Behind What Makes Your Brain Unique; and Steven Pinker's "How the Mind Works." These stellar books illuminate the nexus between art and science; their shining light reflects on Lisa Cron's book as a five-star primer for novel-writing.
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Reviewed in the United States on March 7, 2020

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